In Frost's "OUT, OUT--" only one person is sawing wood: the boy who ends up dying. He is relatively alone and relatively unsupervised. When the speaker writes:
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont....
he is establishing setting, not suggesting that there is a crowd in the yard, just as he is establishing setting when he describes the smell of the wood in the previous line:
Sweet-scented stuff when the breeze drew across it.
The speaker doesn't write that people do lift their eyes and see the mountains, he just says that if people do, they see the mountains. And if there are other people present, which there may be, they certainly aren't sawing wood: there's only one saw, since the word is used in the singular.
Thus, the boy is sawing wood at least relatively unsupervised, and after he dies, the family:
...since they
Were not the one dead, turned to their affairs.
The speaker uses understatement to describe the situation and the family's reaction, so the fact that the boy is sawing wood relatively alone is vital to the understanding of the poem.
The major points in the plot follow:
- The boy is sawing wood, uneventfully.
- The speaker wishes someone would have told the boy to stop early.
- His sister yells to him that it's time for supper, and at that moment the saw deeply cuts the boy's hand.
- The boy realizes the danger, being a "big boy/Doing a man's work," although he underestimates it. He worries only that the doctor will have to cut off the hand.
- The doctor uses ether to put the boy to sleep, and the boy's heart stops and he dies.
- The family goes about their affairs.
The boy is "a child at heart," but he is doing a man's job on his own and the consequences are tragic.
No comments:
Post a Comment