Certainly all of the texts have been written about an analyzed from a basic critical perspective. What continues to change is the addition and evolution of approaches to literary criticism. For example, feminist criticism was not really a recognized approach until at least the 1970s. Queer Theory, a branch of gender studies, is also another newer but very relevant critical approach to analyzing or interpreting Shakespeare. Same with post-modernism, audience reception studies, etc. As new readers and thinkers continue to approach Shakespeare from their own unique perspectives, it is entirely likely that new critical schools of thought will be introduced.
However, I think two even more fertile areas of study are that of performance and media studies. There will always be new performances of Shakespeare's plays, and contemporary theatrical productions frequently utilize popular cultural referents and imagery. Since these constantly evolve, analysis of such productions will (or can, at least) remain fresh and new. The same can be said for new film versions of Shakespeare; even if such films feature a "period" look, cinematic innovations and performance quality will evolve via the many collaborative choices made, as well as aspects of exhibition and distribution, which are shifting and changing rapidly due to innovations in technology.
Approaching it from these possible vantage points, I think we've only begun to talk about Shakespeare!
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