There is no magic anymore,
We meet as other people do,
You work no miracle for me,
Or I for you.
You were the wind and I the sea--
There is no splendor any more,
I have grown listless as the pool
Beside the shore.
But though the pool is safe from storm
And from the tide has found surcease,
It grows more bitter than the sea,
For all it surcease.
In "After Love" by Sara Teasdale, the words in bold are metaphors. In the first stanza, magic and miracle are metaphors that in which the figurative comparisons are named, but the literal are not. Magic is a metaphor for the esctatic feelings of the lover for another, but the speak no longer has these feelings. Likewise, miracle suggests the feelings that transform her as a person of great joy and happiness when she sees her lover.
In the second stanza, there are two metaphors that name both the literal and the figurative meanings: the lover as the wind and the speaker being the sea, with a tide of emotions--an implication that the speaker has been energized by the love, driven by him. Now, without him, she is merely a pool of standing water that has grown "listless as the pool" [simile] without the excitement of the tide, the lover.
Finally in the third stanza, the speaker does not find happiness--only "surcease" without the lover--for without him the pool becomes "bitter" [personification] in spite of all its peace and sucease. It stagnates.
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